Search: Starring Hugh Bonneville

So studiously edgy are the performances that one is never quite sure who harbours the darkest pathology.

The film reeks of privilege, which should not matter, but it does

While much of the comedy might have garnered a few laughs as part of a Two Ronnies' skit back in the Seventies, here it feels dated, predictable and bland.

Recursive nostalgia is no substitute for quality, and it drowns everything else in tepidity.

The film continually and cleverly explores the line between fiction and reality, falsehood and authenticity.

Eyre does nothing with the camera except place it in line with an actor.

The film becomes a mixture of Dad's Army and The Cockleshell Heroes (without the cockleshells).

Being English and Hugh and frightfully-actually, the jokes have a cringe factor above the blush line.

Paddington is irresistible, funny and smartly constructed with a disarmingly big heart.

This is exactly what a sequel should be, respectful, goose bumpy and warm hearted

It feels alienated by the nature of its concerns, as if locked in a fancy dress trunk.

Such an important story cannot be squeezed into 106 minutes. The politics are complex and the religious conflict on a Syrian scale of horror